the year-end project: 
201620152014201320122011, 20102009200820072006200520042003
2002200120001999
1998199719961995199419931992, 199119901989, 1988,
198719861985198419831982198119801975-791970-1974, 1965-69, 1960-64 ..., 
1955-591950-541940-491930-19391920-29 + Superlatives Index

1960-64 — Years in Review
The Fritz Golden Superlatives


1964

  1. Dr. Strangelove, or: How I Learned to Stop Worrying and Love the Bomb (dir: Stanley Kubrick)
  2. I Am Cuba (dir: Mikheil Kalatozishvili)
  3. The Umbrellas of Cherbourg (dir: Jacques Demy)
  4. Woman in the Dunes (dir: Hiroshi Teshigahara)
  5. Band of Outsiders (dir: Jean-Luc Godard)
  6. Hush… Hush, Sweet Charlotte (dir: Robert Aldrich)
  7. The Naked Kiss (dir: Samuel Fuller)
  8. Blood and Black Lace (dir: Mario Bava)
  9. Marnie (dir: Alfred Hitchcock)
  10. A Fistful of Dollars (dir: Sergio Leone) 
(left to right) Stanley Kubrick stands by with a pie in the wings of the Dr. Strangelove, or: How I Learned to Stop Worrying and Love the Bomb set; Peter Sellers in Dr. Strangelove, Kyoko Kishida in Hiroshi Teshigahara's Woman in the Dunes, George C. Scott in Dr. Strangelove and Olivia de Havilland in Hush... Hush, Sweet Charlotte

(left to right) Stanley Kubrick stands by with a pie in the wings of the Dr. Strangelove, or: How I Learned to Stop Worrying and Love the Bomb set; Peter Sellers in Dr. Strangelove, Kyoko Kishida in Hiroshi Teshigahara's Woman in the DunesGeorge C. Scott in Dr. Strangelove and Olivia de Havilland in Hush... Hush, Sweet Charlotte

Best Picture: Dr. Strangelove, or: How I Learned to Stop Worrying and Love the Bomb
Producer: Stanley Kubrick
US Distributor: Columbia Pictures

Best Director: Stanley Kubrick, Dr. Strangelove, or: How I Learned to Stop Worrying and Love the Bomb
Second Place: Jacques Demy, The Umbrellas of Cherbourg
Third Place: Hiroshi Teshigahara, Woman in the Dunes

Best Actor: Peter Sellers, Dr. Strangelove, or: How I Learned to Stop Worrying and Love the Bomb
Second Place: Tony Randall, The 7 Faces of Dr. Lao
Third Place: James Garner, The Americanization of Emily

Best Actress: Kyoko Kishida, Woman in the Dunes
Second Place: Kim Stanley, Seance on a Wet Afternoon
Third Place: Catherine Deneuve, The Umbrellas of Cherbourg

Best Supporting Actor: George C. Scott, Dr. Strangelove, or: How I Learned to Stop Worrying and Love the Bomb
Second Place: Henry Fonda, Fail-Safe
Third Place: Sterling Hayden, Dr. Strangelove, or: How I Learned to Stop Worrying and Love the Bomb

Best Supporting Actress: Olivia de Havilland, Hush… Hush, Sweet Charlotte
Second Place: Grayson Hall, The Night of the Iguana
Third Place: Agnes Moorhead, Hush... Hush, Sweet Charlotte

(left to right) The Naked Kiss, Dr. Strangelove, or: How I Learned to Stop Worrying and Love the Bomb, I Am Cuba, A Hard Day's Night (dir: Richard Lester), Woman in the Dunes, The Night of the Iguana (dir: John Huston)

(left to right) The Naked Kiss, Dr. Strangelove, or: How I Learned to Stop Worrying and Love the Bomb, I Am Cuba, A Hard Day's Night (dir: Richard Lester), Woman in the Dunes, The Night of the Iguana (dir: John Huston)

Best Original Screenplay: Samuel Fuller, The Naked Kiss
Second Place: Kobo Abe and Eiko Yoshida, Woman in the Dunes
Third Place: Jacques Demy, The Umbrellas of Cherbourg

Best Adapted Screenplay: Stanley Kubrick, Peter George and Terry Southern, Dr. Strangelove, or: How I Learned to Stop Worrying and Love the Bomb
Second Place: Jay Presson Allen, Marnie
Third Place: Piere Paolo Pasolini, The Gospel According to St. Matthew

Best Cinematography: Serguey Urusevsky, I Am Cuba
Second Place: Ubaldo Terzano and Mario Bava, Blood and Black Lace
Third Place: Jean Rabier, The Umbrellas of Cherbourg

Best Film Editing: John Jympson, A Hard Day's Night
Second Place: Anthony Harvey, Dr. Strangelove, or: How I Learned to Stop Worrying and Love the Bomb
Third Place: Jerome Thoms, The Naked Kiss

Best Original Score: Tôru Takmitsu, Woman in the Dunes
Second Place: John Barry, Zulu
Third Place: Ennio Morricone, A Fistful of Dollars

Best Production Design: Ken Adam, Dr. Strangelove, or: How I Learned to Stop Worrying and Love the Bomb
Second Place: Bernard Evein, The Umbrellas of Cherbourg
Third Place: Cary Odell and Edward Boyle, Seven Days in May

Best Costume Design: Dorothy Jeakins, The Night of the Iguana
Second Place: Jacqueline Moreau, The Umbrellas of Cherbourg
Third Place: Bill Thomas, The Americanization of Emily

b409820050781da6d80077280497ea8e (1).jpg

Best Ensemble Cast: The Umbrellas of Cherbourg (in alphabetical order), Nino Castelnuovo, Pierre Caden, Jean Champion, Catherine Deneuve, Jean-Pierre Dorat, Ellen Farner, Marc Michel, Mireille Perrey and Anne Vernon

Best First Feature: Paul Henreid, Dead Ringer


1963

Two lovers find the light in Ingmar Bergman's The Silence

Two lovers find the light in Ingmar Bergman's The Silence

  1. The Silence (dir: Ingmar Bergman)
  2. High and Low (dir: Akira Kurosawa)
  3. 8 ½ (dir: Federico Fellini)
  4. The Servant (dir: Joseph Losey)
  5. Harakiri (dir: Masaki Kobayashi)
  6. Hud (dir: Martin Ritt)
  7. The Whip and the Flesh (dir: Mario Bava)
  8. Contempt (dir: Jean-Luc Godard)
  9. This Sporting Life (dir: Lindsay Anderson)
  10. Bay of Angels (dir: Jacques Demy)
(left to right) Jorgen Lindstrom with Ingmar Bergman on the set of The Silence; Toshiro Mifune reflected in High and Low, Jeanne Moreau in Bay of Angels, James Fox in The Servant and Julie Christie in John Schlesinger's Billy Liar

(left to right) Jorgen Lindstrom with Ingmar Bergman on the set of The Silence; Toshiro Mifune reflected in High and Low, Jeanne Moreau in Bay of Angels, James Fox in The Servant and Julie Christie in John Schlesinger's Billy Liar

Best Picture: The Silence
Producer: Allan Ekelund
US Distributor: Janus Films

Best Director: Ingmar Bergman, The Silence
Second Place: Akira Kurosawa, High and Low
Third Place: Federico Fellini, 8 ½

Best Actor: Toshiro Mifune, High and Low
Second Place: Paul Newman, Hud
Third Place: Marcello Mastroianni, 8 ½

Best Actress: Jeanne Moreau, Bay of Angels
Second Place: Julie Harris, The Haunting
Third Place: Rachel Roberts, This Sporting Life

Best Supporting Actor: James Fox, The Servant
Second Place: Larry Tucker, Shock Corridor
Third Place: Melvyn Douglas, Hud

Best Supporting Actress: Julie Christie, Billy Liar
Second Place: Patricia Neal, Hud
Third Place: Sandra Milo, 8 ½ 

(left to right) 8 ½, The Servant, The Silence, Contempt, The Haunting (dir: Robert Wise)

(left to right) 8 ½, The Servant, The Silence, Contempt, The Haunting (dir: Robert Wise)

Best Original Screenplay: Federico Fellini, Ennio Flaiano, Tullio Pinelli and Brunello Rondi, 8 ½
Second Place: Ingmar Bergman, Winter Light
Third Place: Samuel Fuller,  Shock Corridor

Best Adapted Screenplay: Harold Pinter, The Servant
Second Place: David Storey, This Sporting Life
Third Place: Irving Ravetch and Harriett Frank, Jr., Hud

Best Cinematography: Sven Nykvist, The Silence
Second Place: Gianni Di Venanzo, 8 ½
Third Place: Douglas Slocombe, The Servant

Best Film Editing: Reginald Mills, The Servant
Second Place: George Tomasini, The Birds
Third Place: Agnes Guillemot and Lila Lakshmanan, Contempt

Best Original Score: Georges Delerue, Contempt
Second Place: Nina Rota, 8 ½
Third Place: Henry Mancini, The Pink Panther

Best Production Design: Elliot Scott and John Jarvis, The Haunting
Second Place: Mario Garbuglia, Laudomia Hercolani and Giorgio Pes, The Leopard
Third Place: John De Cuir, Paul S. Fox, Ray Moyer and Walter M. Scott, Cleopatra

Best Costume Design: Piero Gherhardi, 8 ½
Second Place: Vittorio Nino Novarese and Renie, Cleopatra
Third Place: Piero Tosi, The Leopard

Best Ensemble Cast: 8 ½ (in alphabetical order), Anouk Aimee, Guido Alberti, Caterina Boratto, Claudia Cardinale, Mario Conocchia, Rosella Falk, Eddra Gale, Madeleine Lebeau, Marcello Mastronianni, Sandra Milo, and Barbara Steele

Best First Feature: Eric Rohmer, La Signe du Lion


1962

Charles Laughton and Walter Pidgeon in Otton Preminger's Advise and Consent

Charles Laughton and Walter Pidgeon in Otton Preminger's Advise and Consent

  1. Advise and Consent (dir: Otto Preminger)
  2. Knife in the Water (dir: Roman Polanksi) 
  3. The Exterminating Angel (dir: Luis Buñuel)
  4. Vivre sa Vie (dir: Jean-Luc Godard)
  5. Lolita (dir: Stanley Kubrick)
  6. Eclipse (dir: Michelangelo Antonioni)
  7. Viridiana (dir: Luis Buñuel)
  8. Ride the High Country (dir: Sam Peckinpah)
  9. What Ever Happened to Baby Jane? (dir: Robert Aldrich)
  10. The Manchurian Candidate (dir: John Frankenheimer)
(left to right): Otto Preminger at a book signing for Advise and Consent, Peter O'Toole in David Lean's Lawrence of Arabia, Anna Karina in Vivre sa Vie, Peter Sellers and Marianne Stone in Lolita, and Shelley Winters in Lolita.

(left to right): Otto Preminger at a book signing for Advise and Consent, Peter O'Toole in David Lean's Lawrence of Arabia, Anna Karina in Vivre sa Vie, Peter Sellers and Marianne Stone in Lolita, and Shelley Winters in Lolita.

Best Picture: Advise and Consent
Producer: Otto Preminger
US Distributor: Columbia Pictures

Best Director: Otto Preminger, Advise and Consent
Second Place: Roman Polanski, Knife in the Water
Third Place: Luis Bunuel, The Exterminating Angel

Best Actor: Peter O'Toole, Lawrence of Arabia
Second Place: James Mason, Lolita
Third Place: Robert Mitchum, Cape Fear

Best Actress: Anna Karina, Vivre sa Vie
Second Place: Bette Davis, What Ever Happened to Baby Jane?
Third Place: Jeanne Moreau, Jules and Jim

Best Supporting Actor: Peter Sellers, Lolita
Second Place: Charles Laughton, Advise and Consent
Third Place: Lee Marvin, The Man Who Shot Liberty Valance

Best Supporting Actress: Shelley Winters, Lolita
Second Place: Angela Lansbury, The Manchurian Candidate
Third Place: Mariette Hartley, Ride the High Country

(left to right) Knife in the Water, The Exterminating Angel, Eclipse, The Manchurian Candidate, Lawrence of Arabia (dir: David Lean), What Ever Happened to Baby Jane?, The Music Man (dir: Morton DaCosta)

(left to right) Knife in the Water, The Exterminating Angel, Eclipse, The Manchurian Candidate, Lawrence of Arabia (dir: David Lean), What Ever Happened to Baby Jane?, The Music Man (dir: Morton DaCosta)

Best Original Screenplay: Roman Polanski, Jerzy Skolimowski and Jakub Goldberg, Knife in the Water
Second Place: W.D. Stone Jr., Sam Peckinpah and William Roberts, Ride the High Country
Third Place: Jean-Luc Godard, Vivre sa Vie

Best Adapted Screenplay: Luis Buñuel, The Exterminating Angel 
Second Place: Wendell Mayes, Advise and Consent
Third Place: Horton Foote, To Kill a Mockingbird

Best Cinematography: Gianni Di Venanzo, Eclipse
Second Place: Henri Decae, Sundays and Cybele
Third Place: Armand Thirard, Love on a Pillow

Best Film Editing: Ferris Webster, The Manchurian Candidate
Second Place:  Halina Prugar, Knife in the Water
Third Place: Anthony Harvey, Lolita

Best Original Score: Maurice Jarre, Lawrence of Arabia
Second Place: Bernard Herrmann, Cape Fear
Third Place: John Barry and Monty Norman, Dr. No

Best Production Design: William Glasgow and George Sawley, What Ever Happened to Baby Jane?
Second Place: John Box, Lawrence of Arabia
Third Place: Richard Sylbert and George R. Nelson, The Manchurian Candidate

Best Costume Design: Dorothy Jeakins, The Music Man
Second Place: Phyllis Dalton, Lawrence of Arabia
Third Place: Edith Head and Ron Talsky, The Man Who Shot Liberty Valance

Best Ensemble Cast: Advise and Consent (in alphabetical order) Edward Andrews, Malcolm Atterbury, Lew Ayres, Henry Fonda, Paul Ford, George Gizzard, Will Greer, Eddie Hodges, Charles Laughton, Don Murray, Peter Lawford, Burgess Meredith, Walter Pidgeon, Gene Tierney, Inga Swenson Franchot Tone and Betty White

Best First Feature: Roman Polanski, Knife in the Water


1961

Corinne Marchand in Agnes Varda's Cleo from 5 to 7

Corinne Marchand in Agnes Varda's Cleo from 5 to 7

  1. Cleo from 5 to 7 (dir: Agnes Varda)
  2. The Innocents (dir: Jack Clayton)
  3. The Human Condition III: A Soldier's Prayer (dir: Masaki Kobayashi)
  4. Yojimbo (dir: Akira Kurosawa)
  5. Splendor in the Grass (dir: Elia Kazan)
  6. Accattone (dir: Pier Paolo Passolini)
  7. The Hustler (dir: Robert Rossen)
  8. Through a Glass Darkly (dir: Ingmar Bergman)
  9.  A Woman Is a Woman (dir: Jean-Luc Godard)
  10. The Misfits (dir: John Huston)
(left to right): Agnes Varda on the Cleo from 5 to 7 set; Paul Newman in The Hustler, Natalie Wood in Splendor in the Grass, Michael Redgrave in The Innocents and Ruby Dee in Daniel Petrie's A Raisin in the Sun

(left to right): Agnes Varda on the Cleo from 5 to 7 set; Paul Newman in The Hustler, Natalie Wood in Splendor in the Grass, Michael Redgrave in The Innocents and Ruby Dee in Daniel Petrie's A Raisin in the Sun

Best Picture: Cleo from 5 to 7
Producers: Georges de Beauregard, Carlo Ponti
US Distributor: Zenith International

Best Director: Agnes Varda, Cleo from 5 to 7
Second Place: Jack Clayton, The Innocents
Third Place: Elia Kazan, Splendor in the Grass

Best Actor: Paul Newman, The Hustler
Second Place: Toshiro Mifune, Yojimbo
Third Place: Sidney Poitier, A Raisin in the Sun

Best Actress: Natalie Wood, Splendor in the Grass
Second Place: Marilyn Monroe, The Misfits
Third Place: Deborah Kerr, The Innocents

Best Supporting Actor: Michael Redgrave, The Innocents
Second Place: Jackie Gleason, The Hustler
Third Place: Pat Hingle, Splendor in the Grass

Best Supporting Actress: Ruby Dee, A Raisin in the Sun
Second Place: Thelma Ritter, The Misfits
Third Place: Miriam Hopkins, The Children's Hour

(left to right): Through a Glass Darkly, The Innocents, A Woman Is a Woman, West Side Story (dir: Robert Wise and Jerome Robbins)

(left to right): Through a Glass Darkly, The Innocents, A Woman Is a Woman, West Side Story (dir: Robert Wise and Jerome Robbins)

Best Original Screenplay: Ingmar Bergman, Through a Glass Darkly
Second Place: William Inge, Splendor in the Grass
Third Place: Pier Paolo Pasolini, Accatone

Best Adapted Screenplay: Truman Capote and William Archibald, The Innocents
Second Place: Koichi Inagaki, Masaki Kobayashi and Zenzo Matsuyama, The Human Condition III: A Soldier's Prayer
Third Place: Sydney Carroll and Robert Rossen, The Hustler

Best Cinematography: Freddie Francis, The Innocents
Second Place: Raoul Coutard, A Woman is a Woman
Third Place: Sacha Vierny, Last Year at Marinebad

Best Film Editing: Agnes Guillemot and Lila Herman, A Woman Is a Woman
Second Place: Thomas Stanford, West Side Story
Third Place: James Clark, The Innocents

Best Original Score: Georges Auric, The Innocents
Second Place: Henry Mancini, Breakfast at Tiffany's
Third Place: Masuru Sato, Yojimbo 

Best Production Design: Boris Leven and Victor Gangelin, West Side Story
Second Place: Roland Anderson and Hal Pereira, Breakfast at Tiffany's
Third Place: Jacques Salnier, Last Year at Marinebad

Best Costume Design: Irene Sharaff, West Side Story
Second Place: Yoshiro Muraki, Yojimbo
Third Place: Edith Head, Breakfast at Tiffany's

accatone-misfits.jpg

Best Ensemble Cast: The Misfits (in alphabetical order) Montgomery Clift, Clarke Gable, Kevin McCarthy, Marilyn Monroe, Thelma Ritter and Eli Wallach

Best First Feature: Pier Paolo Pasolini, Accatone


1960

Marcello Mastroianni and Anita Ekberg in Federico Fellini's La Dolce Vita

Marcello Mastroianni and Anita Ekberg in Federico Fellini's La Dolce Vita

  1. La Dolce Vita (dir: Federico Fellini)
  2. Psycho (dir: Alfred Hitchcock)
  3. Breathless (dir: Jean-Luc Godard)
  4. L’Avventura (dir: Michelangelo Antonioni)
  5. Black Sunday (dir: Mario Bava)
  6. Peeping Tom (dir: Michael Powell)
  7. Les Bonnes Femmes (dir: Claude Chabrol)
  8. Letter Never Sent (dir: Mikhail Kalatozov)
  9. Never on Sunday (dir: Jules Dassin)
  10. Eyes Without a Face (dir: Georges Franju)
(left to right): Federico Fellini on La Dolce Vita set; Marcello Mastroianni in La Dolce Vita, Shirley MacLaine in Billy Wilder's The Apartment, Paolo Stoppa in Luchino Visconti's Rocco and His Brothers and Janet Leigh in Psycho

(left to right): Federico Fellini on La Dolce Vita set; Marcello Mastroianni in La Dolce Vita, Shirley MacLaine in Billy Wilder's The Apartment, Paolo Stoppa in Luchino Visconti's Rocco and His Brothers and Janet Leigh in Psycho

Best Picture: La Dolce Vita
Producers: Guiseppe Amato, Angelo Rizzoli
US Distributor: Astor Pictures

Best Director: Federico Fellini, La Dolce Vita
Second Place: Alfred Hitchcock, Psycho
Third Place: Jean-Luc Godard, Breathless

Best Actor: Marcello Mastroianni, La Dolce Vita
Second Place: Alain Delon, Purple Noon
Third Place: Jean-Paul Belmondo, Breathless

Best Actress: Shirley MacLaine, The Apartment
Second Place: Jean Seberg, Breathless
Third Place: Barbara Steele, Black Sunday

Best Supporting Actor: Paolo Stoppa, Rocco and His Brothers
Second Place: Martin Balsam, Psycho
Third Place: Peter Ustinov, Spartacus

Best Supporting Actress: Janet Leigh, Psycho
Second Place: Allida Vali, Eyes Without a Face
Third Place: Gylnis Johns, The Sundowners

(left to right) Breathless, Shoot the Piano Player, Purple Noon (dir: Rene Clement), Psycho, Spartacus (dir: Stanley Kubrick), Never on Sunday

(left to right) Breathless, Shoot the Piano Player, Purple Noon (dir: Rene Clement), Psycho, Spartacus (dir: Stanley Kubrick), Never on Sunday

Best Original Screenplay: Jean-Luc Godard and Francois Truffaut, Breathless
Second Place: Federico Fellino, Tullio Pinelli, Ennio Flaiano, and Brunello Rondi, La Dolce Vita
Third Place: Marguerite Duras, Hiroshima, Mon Amour

Best Adapted Screenplay: Francois Truffaut and Marcel Moussy, Shoot the Piano Player
Second Place: Joseph Stefano, Psycho
Third Place: Rene Clement and Paul Gegauff, Purple Noon

Best Cinematography: Henri Decae, Purple Noon
Second Place: Otto Heller, Peeping Tom
Third Place: Aldo Scavarda, L'Avventura

Best Film Editing: George Tomasini, Psycho
Second Place: Noreen Ackland, Peeping Tom
Third Place: Cecile Decugis, Breathless 

Best Original Score: Bernard Herrmann, Psycho
Second Place: Maurice Jarre, Eyes Without a Face
Third Place: Nino Rota, La Dolce Vita

Best Production Design: Alexander Golitzen and Eric Orbom, Spartacus
Second Place: Robert Clatworthy, Joseph Hurley and George Milo, Psycho
Third Place: Thomas Morahan, Sons and Lovers

Best Costume Design: Theoni V. Aldredge, Never on Sunday
Second Place: Piero Gheradi, La Dolce Vita
Third Place: Marik Vos, The Virgin Spring

Best Ensemble Cast: Psycho (in alphabetical order), Frank Albertson, Martin Balsam, John Gavin, Janet Leigh, John McIntire, Vera Miles, Simon Oakland Anthony Perkins, Vaughn Taylor and Lurene Tuttle

Best First Feature: Jean-Luc Godard, Breathless

 

the year-end project: 
201620152014201320122011, 20102009200820072006200520042003
2002200120001999
1998199719961995199419931992, 1991199019891988,
198719861985198419831982198119801975-791970-19741965-69, 1960-64 ..., 
1955-591950-541940-491930-19391920-29 + Superlatives Index